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TRAVIATA de Verdi : Chœurs Partie 5/10 Acte 2 Chœur des bohémiennes – Soprano 1

Papibois

2:47	Est. Play Time
84	Measures
	1,428Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		25	29	8	7	99%
		28	37	8	4	100%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		25	29	8	7	99%
		28	37	8	4	100%
Alto		17	0	4	10	81%
Soprano 1		17	0	3	10	81%
Soprano 2		17	0	4	10	81%

AÏDA de Verdi : Chœurs Partie 8/10 Acte 3 : Introduzione - SOPRANO Prêtresse

Papibois

3:28	Est. Play Time
62	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		27	25	8	11	94%
		25	14	4	4	69%
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		27	25	8	11	94%
		25	14	4	4	69%
Prêtres Bas		10	0	1	10	36%
Prêtres Ten		9	0	1	10	36%
Prêtresses Sop		6	0	1	6	33%
Ramfis		16	0	4	7	23%
Amnéris		7	0	1	7	10%

TRAVIATA de Verdi : Chœurs Partie 5/10 Acte 2 Chœur des bohémiennes – Alto

Papibois

2:47	Est. Play Time
84	Measures
	1,428Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		25	29	8	7	99%
		28	37	8	4	100%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		25	29	8	7	99%
		28	37	8	4	100%
Alto		17	0	4	10	81%
Soprano 1		17	0	3	10	81%
Soprano 2		17	0	4	10	81%

L’ELISIR D’AMORE de Donizetti : Choeurs Partie 15/16 bis Acte 2 : Coro Scena 6 SOPRANO 2 (avec coupures)

Papibois

4:47	Est. Play Time
265	Measures
	2,513Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		36	56	15	10	96%
		39	87	16	8	93%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		36	56	15	10	96%
		39	87	16	8	93%
Nemorino		15	0	3	8	56%
Adina		17	0	6	7	44%
Soprano 1		12	0	3	8	41%
		11	0	3	8	41%
Giannetta		17	0	6	8	41%
Dulcamara		15	0	4	6	40%

AÏDA de Verdi : Chœurs Partie 1/10 Acte 1 : Scena e piezzo d’assieme

Papibois

6:09	Est. Play Time
157	Measures
	3,012Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		42	175	29	11	87%
		38	89	23	12	96%
View all 16 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		42	175	29	11	87%
		38	89	23	12	96%
Re		18	0	11	9	47%
Ramfis		18	0	7	7	32%
Min. B2		17	0	8	9	31%
Min. T2		14	0	7	9	31%
Min. B1		13	0	6	9	31%
Min. T1		16	0	7	9	31%
Messager		18	0	10	9	29%
Radamès		17	0	10	8	27%
Amnéris		16	0	7	8	25%
Prê. B1		16	0	6	7	24%
Prê. B2		15	0	6	7	24%
Aïda		20	0	12	10	23%
Prê. T1		15	0	5	8	23%
Prê. T2		15	0	6	8	23%

TRAVIATA de Verdi : Chœurs Partie 5/10 Acte 2 Chœur des bohémiennes – Soprano 2

Papibois

2:47	Est. Play Time
84	Measures
	1,428Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		25	29	8	7	99%
		28	37	8	4	100%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		25	29	8	7	99%
		28	37	8	4	100%
Alto		17	0	4	10	81%
Soprano 1		17	0	3	10	81%
Soprano 2		17	0	4	10	81%

AÏDA de Verdi : Chœurs Partie 2/10 Acte 1 : Consacrazione e finale 1

Papibois

8:25	Est. Play Time
182	Measures
	2,899Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		47	131	24	11	90%
		38	96	16	10	88%
View all 11 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		47	131	24	11	90%
		38	96	16	10	88%
Ramfis		19	0	8	11	47%
Basse 2		18	0	6	10	36%
Ténor 2		18	0	6	11	35%
Basse 1		18	0	7	10	34%
Ténor 1		21	0	7	11	34%
Soprano 2		14	0	6	8	23%
Soprano 1		14	0	4	8	22%
Gde Prêtresse		10	0	4	7	21%
Radamès		19	0	5	11	20%

L’ELISIR D’AMORE de Donizetti : Choeurs Partie 15/16 bis Acte 2 : Coro Scena 6 SOPRANO 1 (avec coupures)

Papibois

4:47	Est. Play Time
265	Measures
	2,513Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		36	56	15	10	96%
		39	87	16	8	93%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		36	56	15	10	96%
		39	87	16	8	93%
Nemorino		15	0	3	8	56%
Adina		17	0	6	7	44%
Soprano 1		12	0	3	8	41%
		11	0	3	8	41%
Giannetta		17	0	6	8	41%
Dulcamara		15	0	4	6	40%

AÏDA de Verdi : Chœurs Partie 7/10 Gran finale 2 Parte 3 : Re, pei sacri Numi - BASSE 2 Peuple

Papibois

4:55	Est. Play Time
138	Measures
	4,010Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		43	136	23	10	96%
		40	61	25	11	96%
View all 22 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		43	136	23	10	96%
		40	61	25	11	96%
Re		16	0	7	11	55%
Ramfis		18	0	8	10	54%
Radamès		16	0	8	11	48%
Peu. Bas		14	0	6	11	42%
Peu. Bas2		15	0	7	11	42%
Peu. Ten		16	0	8	11	41%
Peu. Ten2		15	0	7	11	41%
Peu. Sop		20	0	9	11	39%
Peu. Sop2		12	0	6	11	39%
Amneris		21	0	11	10	38%
Prê. Bas		16	0	5	9	37%
Prê. Bas2		15	0	5	9	37%
Prê. Ten		17	0	5	9	37%
Prê. Ten2		16	0	6	9	37%
Aïda		17	0	6	11	36%
Amonasro		14	0	4	11	33%
Pris. Bas		12	0	3	9	31%
Pris. Bas2		13	0	4	9	31%
Escl. Sop 1		17	0	5	9	30%
Escl. Sop 2		12	0	4	9	30%

FAUST de Gounod : Choeurs Partie 9/14 Mort de Valentin - SOPRANO 1

Papibois

5:09	Est. Play Time
121	Measures
	1,606Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		42	89	23	10	94%
		36	78	20	9	95%
View all 10 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		42	89	23	10	94%
		36	78	20	9	95%
Valentin		18	0	9	6	52%
Soprane 1		18	0	8	5	36%
Basse 1		18	0	7	5	29%
Basse 2		18	0	6	5	29%
Tenor 1		16	0	7	5	29%
Tenor 2		16	0	6	5	29%
Soprane 2		17	0	8	5	28%
MARGUERITE		13	0	3	5	10%

FAUST de Gounod : Choeurs Partie 9/14 Mort de Valentin

Papibois

5:09	Est. Play Time
121	Measures
	1,606Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		42	89	23	10	94%
		36	78	20	9	95%
View all 10 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		42	89	23	10	94%
		36	78	20	9	95%
Valentin		18	0	9	6	52%
Soprane 1		18	0	8	5	36%
Basse 1		18	0	7	5	29%
Basse 2		18	0	6	5	29%
Tenor 1		16	0	7	5	29%
Tenor 2		16	0	6	5	29%
Soprane 2		17	0	8	5	28%
MARGUERITE		13	0	3	5	10%

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